Saturday 30 April 2016

Arc of the Goddess...in print

We are very excited to announce that our Arc of the Goddess course is now available in paperback format (with extra added bits) - the book will be published by Moon Books on 24th June but is available for pre-order now.

The blurb:

This year-long Arc of the Goddess course will take you on a personal journey of discovery, taking each month as the wheel of the year turns and introducing you to different goddesses and pantheons with your choice (or theirs…) about who you work with and how you work with them.
The authors hope to help you connect with the magical energies of each month as well as giving you lots of practical exercises to work with and suggestions on how to make your spiritual connection stronger.
At the end of the course it is hoped you will not only have discovered your own personal pantheon of goddesses to work with but also uncovered The Goddess Within…

Endorsements:

“An amazing course, clear, powerful, brimming with information and highly recommend.”
Alannah Smith

“This course is perfect whether you want to dip your toe in or fully submerge yourself on your Goddess journey.”
Bernie Anderson

“Following this comprehensive and insightful course will help you to connect with the energies of the month as well as getting to know, understand and grow closer to many different goddesses.”
Sue Perryman

“The Arc of the Goddess is an inspirational way to reconnect to the energies surrounding us. Following the monthly turn of the wheel is exciting and there is no right or wrong way to progress. It is a personal path of discovery, developing year after year.”
Heather Dewhurst

"Another wonderful Kitchen Witch course with heaps of ideas to guide you to work with the energies of each month. You start a unique journey creating your own personal pantheon of Goddesses - each Goddess giving you a deeper connection with her and the changing of the seasons."
Vanessa Armstrong


Wednesday 27 April 2016

A journey into the Earth...by StormloverWolf

A journey into the Earth...by StormloverWolf

I am walking through a very dense forest knowing well that the entry will make itself known to me. I can hear rustling in the ferns that are so lush around my legs. Small bugs fly hither and thither about. Some are firefly’s that light up and dash every which way….The different colours of the trees amaze me. There is deep green on the pines, an olive like green on some other tree's, then there are also a bright kelly green colour on others. The lengths of the limbs are stunning. Some are thick, some gently thin and yet they blend into a beautiful weave of wonder where the sun can only peak through just here and there.

There is a path, but a natural one, not marked with anything specific. There are stones here and there, but never in the middle of the path area. Along the path I see patches of wild violets with their sweet tiny fragrant flowers. I see ferns of every kind, colour and texture, they are soft against my hand as I pass by them.

I am sensing something ahead of me, a subtle knowing and yes, there they are. There is a very, very large tree ahead with a massive trunk with thick roots that curl this way and that. Just off to the left side, there is a gnome. He is dressed with brown pants, brown shirt, but a floppy yet pointed blue hat that match his sparkling eyes. He is barefoot, yea for barefoot as so am I!! His eyes have a twinkle to them, but his expression is very serious indeed.

As I approach slowly he gives me a good once over as if deciding if I am good enough to enter his realm. I am thinking about what I am going to say, and he nods his head as he has heard my thoughts without my saying a word. I stand before him, and I bow. He seems to accept this as an indication of “honor” to him and he raises his arm towards an area between the largest roots and they continue spreading until an opening appears. He hands me a lit candle, where it came from I know not. Somehow I know that he will not be going with me, this is my journey. He was there to see if who I was warranted entry into his blessed realm.

The door looked exactly like the tree trunk, that’s why I was unable to see it before. Closer now I could see little rivets of copper at the hinges. It looked so old I never expected them to open, but they did just that. The door came to a bit of a point at the top, Gothic like and was made of very old, well worn wood. It had bark on parts of it, which also had some moss on it as well. I closed my eyes, and pushed through the entry way. I was very happy that I had been given a candle as it was black as pitch inside.

I could see little dig outs in the walls following a spiral staircase that seemed to go on forever. Such a strong pungent smell filled my nose and lungs. I felt I might have trouble breathing, but that was not to be the case. As I stood there on the small landing, my eye’s adjusting finally, I could see all sorts of materials in the walls. There were roots of course, and much earth, rich dark soil that blended in with lighter colours seemingly to make a kind of mosaic. The stairwell seemed so tiny I wasn’t sure that I was going to fit, but as it is with most things magical, as I lowered myself to each step, it was wide enough, so wide in fact another could have shared the same step with me and we would have been safe.

I seemed to go down and down and down until I could see a warm glow that I was pretty sure was the base of the tree. Looking back up the stairway all I could see was the underside of the spiral, and of course nothing of the old wood door entrance. As I continued down I was fascinated by all the little creatures in the soil that made up the walls. Bugs have never bothered me, spiders a bit, but I was fascinated as in looking closely at them, they actually had faces. Now how could I feel the “wheebie geebies” at a spider when she, I think it was a she as she had long eyelashes, smiling at me?

I made it to the base and it opened up quite wide and there was nestled in this area some couches, very overstuffed and comfy looking with all sizes of pillows in every different colour and pattern that you could imagine. There were overstuffed chairs with ottomans, a few rocking chairs. There were also wooden tables of different sizes and shapes even a stone fireplace with a fire in a grate. Now how does that work in the base of a tree you ask? Well, very well indeed. There were some tea pots, cups and saucers, some biscuits/cookies on a large platter with funny little napkins. I fixed a cup of tea and decided to sit for a bit and get my bearings.

As I looked around there were several doors leading in all sorts of directions including one in the ceiling and one in the floor. Go figure! Each one was a different colour and shape. I had finished my tea and biscuits and found that I was very sleepy. I rested my head on the back of the cushion and drifted off.

When I woke up, I looked at my watch and several hours had gone by. I found that a lovely quilt had been laid over me, and my feet had been propped up on a pudgy padded stool. I had never heard anyone, nor felt anyone, but someone had surely been down here with me. I looked on the small table beside me where my empty cup and saucer were and saw a note. It said ”Welcome new friend, we have journeyed through your mind whilst you slept and find that you are a good soul and you have much to learn from us. We will look forward to your next visit and hope that it is sooner than later…fondly, the Gnomes”.

I gathered my cloak and began the climb up to the surface which seemed to take no time at all. I reached the landing and once again there was the gnome with the blue hat. He still had the stern face, but teasingly smiled and said “I bid you adieu until next we meet”. I smiled and thanked him and said the next visit would not be too long away.

I closed my eyes to once again smell and feel the pungent old door with the bright copper rivets in the hinges. I stepped back out into the dense forest knowing well that I would be back soon, for this was home to me. Deep in the earth, what more could I desire…



StormloverWolf

Saturday 23 April 2016

Dion Fortune by Starlitenergies

Dion Fortune (1890 – 1946)

Behind the shadows of Gerald B. Gardner, lurks Dion Fortune. Unappreciated during her own time she was perhaps his lesser-known equal, working quietly behind the scenes she developed her own tradition and was unconcerned with the need for publicity. Dion was a respected psychiatrist, occultist and author who approached magic and hermetic concepts from the perspectives of Jung and Freud. She was a prolific occult writer of novels and non-fiction books, an adept in ceremonial magic and a pioneer psychiatrist on religious thought in occultism.

Dion was the daughter of a solicitor and born “Violet Mary Firth” on the 6th January 1890 in Bryn-y-Bia, Llandudno, Wales. She showed mediumistic abilities at an early age and was reputed to have had visions and dreams of “Atlantis” as early as four years old. Later she claimed to have been a priestess in a past life. She was a bright and intelligent child who wrote her first book at the age of 13, a book of poems entitled Violets in 1904.

Her family were fair to do Christian Scientists with a family motto that reads: “Deo, non Fortuna”, meaning “By God, not by chance”. In 1906 after the death of her grandfather, the family moved to London and lived on they’re inheritance. There she joined the local Theosophical Society and in 1908 had another poem published called Angels. In 1910 she started work at St Georges Secretarial College, while continuing her studies in psychology. She worked as an assistant to the college principal, a strong minded and domineering woman with a violent temper

After a number of clashes with the woman, Dion decided to leave. Reporting her intentions to leave, the woman subjected her to a diatribe of incompetence and lack of self-confidence, that she later suffered a near mental breakdown. She later attributed this to the principal, believing she had used “psychic attacks” to try and control her, a technique allegedly learned on visits to India.

As a result of these attacks and during the following three years it took to recover, Dion delved deeper into Psychology, focussing her studies on the theories of Freud and Jung. In 1913 she took up a position as a lay-psychoanalyst at the Medico-Psychological Clinic in London. There she concluded that neither Freud nor Jung adequately addressed the subtleties and complexities of the mind. There was something they had missed, and she felt the answers might lie in occultism.

Through the war years 1914-1918 Dion joined the “Women’s Land Army”, during which time she maintained her links with the “Theosophical Society”. Towards the end of the war she met with and worked with the head of the society “Theodore Moriarty”, an occultist and freemason. Moriarty encouraged her interest in the occult, and in 1919 after the war, she was initiated into the “Alpha and Omega Lodge of Stella Matutina”, an outer order of the hermetic “Order of the Golden Dawn” situated in London.

She studied under J.W.Brodie-Innes but came under conflict with Moina Mathers the wife of S.L. MacGregor-Mathers, one of the original founders of the Golden Dawn. Feeling symptoms of “psychic attack” similar to her past experience, she later quit and formed her own order “the Fraternity of the Inner Light”. Initially the order was part of the Golden Dawn, but based on esoteric Christianity. It later separated and distanced itself, removing all connections with witchcraft.

After the death of her friend and mentor Theodore Moriarty in 1923, Dion took over the Theosophical Society and renamed it the “Christian Mystic Lodge”. In 1924 she bought a property in Glastonbury called the Chalice Orchard. This she would use as a retreat from the pressures of work and living in the city. While visiting at Glastonbury, Dion became deeply interested in Arthurian legends and the magical-mystical folklore centred on the area. She later formed a pilgrim centre there known as the “Chalice Orchard Club”, which she dedicated to the “Mysteries of Isis”.

In 1937 she met and married a medical doctor “Thomas Penry Evans”. Due to his own occult interests, different from Dion’s, he became known as Merlin or Merle by many of her followers. They worked together magically as Priest and Priestess of her order, the “Fraternity of the Inner Light”, but argued constantly over their differences. In 1939 Evans left her for another lover and they divorced. Dion continued to head the order renaming it the “Society of the Inner Light”.

Later that same year she leased a property in West London known as “The Belfry”, and turned it into a temple for her followers. Like Glastonbury it was dedicated to the “Mysteries of Isis”. During the rest of her lifetime and indeed since she passed away, her societies continue to grow and attract new followers. Just after the Second World War, Dion contracted Leukaemia and in 1946 on the 8th January, she departed this world for the next.

Dion Fortune (her pen name) was a prolific writer. She derived her pen name from her family motto, “Deo, non Fortuna”, meaning “By God, not by chance” which she shortened to Dion Fortune. She writes of her many personal experiences as a practising occultist and psychiatrist, and pours out her knowledge of the occult in both fiction and non-fiction books, some of which have now reached classical status.Three of her non-fiction books were written using another pseudonym - V M Steele, which included: The Scarred Wrists (1935), Hunters Of Humans (1936) and Beloved Of Ishmael (1937).

Today the “Society of the Inner Light” is still practising and still based in London, but they maintain that Dion was not a witch, and was not involved in any coven? They stress that the present day society is not connected with witchcraft in any way. A sad tribute to a writer whose books did so much to influence, and continues to influence the thoughts of many practitioners in the Wicca/Witchcraft movement.


Starlitenergies


















Sources:
Books
Encyclopedia of Witches & Witchcraft - By Rosemary Ellen Guiley
Psychic Self-Defence - By Dion Fortune
Websites

Wednesday 20 April 2016

Dandelion by Unity

Dandelion by Unity

Taraxacum officinale

Other names : Witch Gowan, Lion's teeth, clocks and watches, piss-a-bed, Blowball, Puffball, Priest's crown, wet the bed.

Planetry ruler : Jupiter
Element : Air
Gender : Male
Associated Deities: Brigid, Hecate, Theseus
Magical Uses : Divination, wishes, calling spirits, psychic powers, abundance

A well known hardy perennial plant that is considered a weed by many people. It is however, an incredibly useful plant for healing and magic as all parts can be used. The young leaves in Spring can be added fresh to salads and smoothies and the older leaves used for tea, wine, magical and medicinal uses. The roots can be gathered in Spring or Autumn and roasted for a caffeine-free coffee, and between June and August for medicinal purposes. The flowers can be used to make wine and beer, or an infused oil which is an excellant rub for muscle tension and cold stiff joints. It is also good for dry skin.

Dandelions were used as a general cure-all in the 11th and 12th centuary by Arab healers. It's also mentioned in the Welsh herbal of the Physicians of Mydrai dating from the 13th centuary. Before the 1st world war it was grown as a commercial crop, and in world war 2 the roots were used as coffee and the leaves as a food.

Dandelion is a powerful diuretic which doesn't strip the body of potassium like orthodox drugs do. It stimulates the kidneys and can be used for water retention. It can also help with rheumatism, athritis, skin problems, sluggish liver, digestion problems and constipation. Dandelion has amazing detoxifying properties that can help filter toxins from your kidneys and purify your blood. It can also help nursing mothers to produce more milk. It's high in minerals and vitimins including zinc, calcium, potassium and vitimins A,B and C and can be used as a very effective Spring tonic.

The plant itself is almost indestructible as it has very deep tap roots making it hard to dig out. If even the tiniest part is left behind it will regenerate. Dandelion's are a favourite with bees as they are an important honey producing plant.

Folk magic

Send loving thoughts to someone special by blowing on the seed heads.

A popular children's game is telling the time by counting how many puffs it takes to blow at the seed heads until all the seeds have dispersed.

To dream of dandelion was considered bad luck.

To find out how long you will live, blow once on a seed head. The number of remaining seeds correspondes to the number of years you have left.

Burying dandelions in the north west corner of your garden will bring favourable winds.

Dandelion tea placed beside the bed before going to sleep will call the spirits to you. It can be drank to help enhance psychic powers and divination.

The flower head is associated with solar energies and can be added to sun and divination incense.

The white seed heads are associated with the moon, the element of air and Sylphs.

The root descends to the Underworld and defies death which makes it a good plant for working with Hecate. The root can be gathered fresh, cut into small pieces and pierced in the centre with a large needle. It can then be threaded onto string, dried and worn as a ritual necklace when calling on Hecate.

I also read that it is associated with Brigid which makes sense because of her solar and Spring associations. In Gaelic its name is 'Bearnan Bride' which means 'Little notched plant of Bride'.

Increasing Psychic powers tea or loose incense mix

Dandelion leaves
Marigold petals
Cinnamon
tsp honey if desired.

Dandelion and bacon salad

225g young dandelion leaves
100g streaky bacon, diced
1 cm slice of white bread,cubed
4 tbsp olive oil
1 tbsp white wine vinegar
1 clove garlic, crushed
Salt and Pepper
Oil for cooking

Wash and dry leaves and tear into salad bowl. Make a vinaigrette using live oil and vinegar and season to taste, adding a little sugar if desired. Fry bacon, garlic and bread in oil until golden brown. Pour mix over dandelion leaves and mix well so all leaves are coated. Add vinaigrette and toss well.


Unity

Saturday 16 April 2016

The Pentagram...it's history...

The Pentagram - it's history...
by Tansy Firedragon (Rachel Patterson)

Probably the most recognisable symbol from paganism and when I started on this pathway many years ago it was one of the first items I purchased to put on my altar and the symbol I chose to wear as a necklace, one that I used in my dedication to the Craft all that time ago.

Many of us wear the pentagram in the form of jewellery or on clothing, accessories and even tattoos.  To pagans it is an incredibly important symbol with a whole heap of power and meaning behind it, but where did it come from?

The pentagram is a five pointed star, encased by an outer circle. Its apex points upwards.   The five pointed star shape without the circle is called a pentacle.  Yep I know… like many I used to get terribly confused trying to remember which one was which…

Here I have given some information that I have discovered in my research, it is by no means comprehensive but I hope you find it interesting.

The pentagram was first used around 3500BC at Ur of the Chaldees in Ancient Mesopotamia. Pieces of broken pottery were found, some of them with the earliest findings of the written language on. In later Mesopotamian art the pentagram was used as a symbol of imperial power in royal inscriptions. It symbolised the imperial power extending out to the four corners of the world. The Hebrews also used the pentagram as a symbol of truth and for the five books of the Pentateuch (the first give books of the Hebrew scriptures).

The geometry of the pentagram and its metaphysical associations were explored by Pythagoreans who saw it as a symbol of perfection. It was called the Pentalpha, composed of five geometrical ‘A’s. Pythagoras travelled all over the ancient world, so he may be the explanation of the presence of the pentagram in Tantrik art. Early Hindu and Buddist writings that seem to share Pythagoras’ view of the star.

The Gnostics saw the pentagram as a Blazing Star, symbolising the crescent moon which related to magick and mysteries of the night time sky and the dark.

Celtic Druids believed the pentagram to be a symbol of the Godhead. Celtic pagans saw the number five as sacred in many things. Examples of this are Ireland having had five great roads, five provinces and five paths of law, the Fae counted by fives and mythological figures wore five fold cloaks.

It was also a symbol of the underground womb and bears a symbolic relationship to the pyramid forms to the Egyptians.

Even early Christians used the pentagram, it symbolised the five wounds of Christ and up until medieval times it was used as a Christian symbol on occasion. It implied truth, religious mysticism and the work of the creator. It was only after the Inquisition that the ‘evil’ associations were assigned to the pentagram. Over time the Christians dropped the use of the circle and just used the five pointed star, I would assume in response to the neo pagan use of the pentagram with the circle.

In Medieval times the pentagram with one point upwards symbolised summer and with two points upwards signified winter. In the legend of Sir Gawain and the Green Knight, the pentagram was his signature glyph and was used on his shield. We are told that this symbolised the five knightly virtues – generosity, courtesy, chastity, chivalry and piety.

The Knights Templar formed during the Crusades used the symbol of the pentagon in their architecture and designs.

During the Inquisition the pentagram was seen as a Goat’s head or the Devil. In the purge on witches, horned gods such as Pan became equated with the Christian’s idea of the Devil and the pentagram, for the first time in history was equated with evil and labelled the Witch’s Foot.

During the Renaissance period Hermeticism (the proto science of alchemy) developed along with occult philosophy and symbolism. Graphical and geometric symbols became very important. Western occult teachings began to emphasize the philiosophies of Man being the small part of the larger universal spirit – “as above, so below”. The pentagram returned as the Star of the Microcosm, symbolising man within the macrocosm. In 1582 Tycho Brahe’s Calendarium Naturale Magicum Perpetuum shows a pentagram with a body imposed and the Hebrew YHSVH associated with the elements. And we are all familiar with Leonardo da Vinci’s drawing of the geometric relationships of man to the universe. Later the pentagram came to be symbolic of the relationship of the head to the four limbs and hence of the pure concentrated essence of anything, such as the spirit, to the four traditional elements.

Masonry uses the pentagram to show man as the smaller aspect of the universe. The pentagram then being incorporated into American symbols. The five pointed stars on the flag and the eye/pyramid on money.

In the 19th Century metaphysical societies sprang up all around the world. Many of them based on the ancient Holy Kabbalah. Eliphas Levi was instrumental in opening of the Victorian lodges such as the Hermetic Order of the Golden Dawn. He is accredited with renaming the tarot card coins as pentacles. It is during this time we also see the first modern association of the pentagram with evil – Eliphaz Levi Zahed illustrated the upright pentagram beside an inverted pentagram with the goat’s head of Baphomet. This has led to the concept of the different orientations being good and evil.

In the 1940’s Gerald Gardner adopted the pentagram with two points upward as the sigil of a second degree initiation. The one point upward pentagram together with the upright triangle symbolising third degree initiation. A point downward triangle being the symbol of first degree initiates. The pentagram was also inscribed on the altar with its points symbolising the three aspects of the goddess plus the two aspects of the God in a special form of Gardnerian pentacle.

The pentagram  became a negative symbol in modern society so it probably wasn’t until the 1960’s that the pentagram was used and worn again in public.

The Church of Satan was an organisation that started out as a practice of following the Set, an Egyptian deity. For its emblem they used the inverted pentagram after the Baphomet image of Levi. The reaction of the Christian church was to condemn Satanism as evil and of course this lumped all pagan societies together as Devil worship. The stigma of Witchcraft and its use of the pentagram sadly still continues today.

Despite the use and the different meaning of the inverted pentagram as a symbol of Gardnerian initiation, modern witchcraft traditions tend to use the upright pentagram.

Taoism also uses the pentacle, each point signifying wood, fire, earth, metal and water.

The pentacle is the simplest form of star shape that can be drawn unicursally, with a single line, hence it has been called the endless knot. In the old folk song – Green Grow the Rushes O, the line ‘five is the symbol at your door’ refers to the use of the pentagram above doors and windows as protection against evil and demons.

The pentagram is a symbol of Wiccan and some neo pagan spiritual beliefs. The pentagram symbolises the five elements of earth, air, water, fire and spirit, with the top point representing spirit triumphing over matter. It is used in jewellery, on clothing and altars. It is also used in some blessings and healings. The circle around the star represents protection, eternity and infinity. The circle touching all five points indicates that spirit, earth, air, water and fire are all connected.



Tansy













Originally published in the Mystik Way magazine



Wednesday 13 April 2016

Betony by Unity

Betony by Unity

Betonica officinalis, Stachys officinalis

Other names : Bishopswort, Wood betony, Sentinel of the woods, Herb St Fraid, Lousewort, Betayne, Bidney, Wild hop, Vetoyu, Bitney

Planetry ruler : Jupiter
Element : Fire
Associated deities : Cernnunos, Herne
Gender : Male
Action's: Sedative, nervine, tonic, bitter

Magical properties: Protection, purification, love, clarity, anti-intoxification, nightmares, anti-depression, memory, stress relief.

Betony is a hardy perennial plant that grows up to 2 ft and has pretty pink or purple flowers. It is native to the British Isles and grows wild at the edges of woods and in heathland. The Ancient Celts held it in high regard due to it's healing and protective properties.

Magical/ folk lore

Betony's main magical use is for protection and to dispel negativity. Make an infusion and use it to clean your altar and/or home, you can also make a protective seal by wiping it around the edges of doors and windows. Grown in gardens, it will protect your home from evil, and sprinkled around the perimeter of your property was believed to form a protective barrier through which no evil could pass, it was also said to protect against snakes. It can be used in incense to purify your magical tools and the atmosphere before and after ritual.

In the past betony was planted in monastry gardens and around graveyards as it was believed to protect against evil spirits and witchcraft. It was also carried or worn to protect a person's 'body and soul' and placed beneath pillows to protect against nightmares, making it a good ingredient for a dream pillow.

Betony can calm tempers and soothe quarrels between couples when added to food ( Do not ingest if pregnant) It can also protect you against the unwanted effects of love spells.

In Hoodoo, betony is often added to uncrossing incense's with agrimony and used to reverse jinxes back to those who sent them. The Anglo-Saxons used it in magic and healing as is recorded in the famous leechbook and herbal Lacnunga.

It is said that snakes would fight to the death when placed within a circle of betony, and that stag's and other wild beast's would eat it if wounded or sick and be cured.

The physician of Emporer Augustus claimed betony could treat 47 diseases, he wrote a whole treatise on it.

Carry betony with you when you need to concentrate or have a good memory, for tests or exams etc.
The 16th centuary herbalist Gerard said that betony was the most highly prized of all herbs. He recommended that you should sell your coat to get money to buy the plant.

Healing
DO NOT INGEST IF PREGNANT

Betony is not so popular these days in modern herbalism, but it can be used for quite a wide range of ailments. If you are severly ill, or take prescription medicines see your GP before taking betony internally.

Betony feeds and strengthens the nervous system and also has sedative properties. It can be used to treat anxiety and tension.

Betony infusion can be used to treat headaches, neuralgia, pulmony disorder's, sore throats, asthma, catarrh, gout, rheumatism, heartburn and respiratory disorder's. It can also be drank as a tonic when feeling run down and for bladder and kidney problems. The juice of the plant can be used to treat cut's and sore's, and the leaves can be used as a poultice for bruising, stings and cuts.

Betony infusion

2 tsp dried betony
1/2 pint boiling water

Leave to steep for 15 minutes

Purification incense

2 parts Sandalwood
2 parts Frankincense
1 part Betony
1 part Rosemary
1 part Bay



Unity

Saturday 9 April 2016

Charles Godfrey Leland by Starlitenergies

Charles Godfrey Leland (1823 – 1904)

Charles G. Leland was an American scholar, folklorist, humorist and prolific author who wrote several classic books on English Gypsies and Italian Witches. These include Etruscan Roman Remains, Legends of Florence, The Gypsies, Gypsy Sorcery and perhaps his most famous book Aradia: Gospel of the Witches. During his time he wrote more than fifty books on a variety subjects, and penned uncounted articles for many major periodicals. His writings inspired the likes of Gerald Gardner and Doreen Valiente as well as many other pioneers of modern day Witchcraft. In America he is also recognised for his effort to establish Industrial Art as a branch of public education.

Born of old English descent Leland’s ancestral lineage can be traced back to a John Leland who in 1530 was a chaplain and librarian to King Henry VIII. He is distinguished in that a special position was created for him in 1533 when he became the first person to be appointed Royal Antiquary. Another distinguished ancestor is Charles Leland who was Secretary of the Society of Antiquaries during the reign of Charles 1. Other members of his linage moved to America in 1636 and were prominent among the early pilgrims to settle in Massachusetts.

Leland was born to parents Henry Leland and Charlotte Frost Godfrey in Philadelphia, Pennsylvania on the 15th of August 1824. His father Henry was a descendant of Hopestill Leland, one of the first white settlers in New England. His mother on her side of the family often referred to an ancestress that had married into “sorcery”. In his own memoirs Leland wrote: “My mother's opinion was that this was a very strong case of atavism and that the mysterious ancestor had cropped out in me”. His parents were both Episcopalians but during his early youth converted to Unitarianism and brought Leland up in that belief. His parents encouraged his curiosity and he was exposed to a variety of ideologies as he grew up.

A few days after his birth Leland’s Old Dutch nurse carried him up into the garret of their home and performed a special ritual. She placed upon his breast a Bible, a key and a knife, and then placed lighted candles, money and a plate of salt at his head. The purpose of the rite was to ensure he rise up in life to be lucky and to become a scholar and a wizard. As a child Leland suffered from a serious bout of a meningitis-like illness, which continued to dog him throughout his early childhood. As a result he often appeared to be weak, nervous and frail. Later he grew to a strapping six-feet, and enjoyed a vigorous adult lifestyle.

Leland grew up fascinated with folklore and magic, for as a child he was regaled with stories of ghosts, witches and fairies. The family being prosperous, they lived in a household that employed servants, from one (an Irish immigrant woman) he learned about fairies, and from another (a black woman working in the kitchen) he learned about Voodoo. By the age of 6 or 7, Leland was already familiar with his parent’s library and was a voracious reader; he even memorised Prospero’s speeches from Shakespeare’s play ‘The Tempest’. His interest in folklore and all things occult would occupy much of his adult life.

Leland was first educated in a series of private schools in Philadelphia and during the summer stayed with cousins in the New England countryside to benefit his health. Although Leland was a great reader, he was a poor student and hated school. His teachers, and even his father, regarded him as stupid due to his extreme weakness in mathematics. Later he went on to Princeton University where he studied languages, wrote poetry, and pursued a variety of other interests, including Hermeticism, Neo-Platonism, and the writings of Rabelais and Villon.

After graduating from Princeton, his father financed his post-graduate studies and sent Leland to Europe where he studied at the universities of Heidelberg and Munich before moving on to the Sorbonne in Paris. While in Paris, Leland played an active part in the French Revolution of 1848. As captain of a group of Revolutionaries at the hotel where he was staying, he constructed barricades and fought on the streets of Paris. Later that year he returned to America after the money his father had supplied ran out.

Back home in Philadelphia, Leland apprenticed for a time in a law firm and passed the bar association exams to practice in Pennsylvania. Law however proved to mundane for his adventurous spirit and in 1853 he opted for a career in journalism. During his years as a journalist, Leland wrote hundreds of essays, reviews and articles for some of the major periodicals of the time, including Vanity Fair, Graham's Magazine and the Knickerbocker Magazine. He also wrote for the Illustrated News in New York, the Evening Bulletin in Philadelphia and eventually took on editorial duties for the Philadelphia Press.

In 1856 Leland married and became deeply devoted to his wife of 46 years ‘Eliza Bella “Isabel” Fisher’. While acting as an editor for Graham's Magazine, he published the first of his German-English poems “Hans Breitmann's Party” (1857). These he wrote in a mixture of German and broken English, imitating the dialect and humour of the Philadelphia Germans (also called Pennsylvania Dutch). Collectively they were first published in the 1860’s and 1870’s and so popularised Leland that he soon became a sought-after and prosperous writer. The poems were later collected in “The Breitmann Ballads” (newly edited in 1895).

It was about this time in the late 1850’s and during the build up to the American Civil War of 1861-65, that Leland developed strong pro-Union sentiments, and founded the Continental Monthly, a pro-Union Army publication to support their views. He coined the term “emancipation” as an alternative to “abolition” in reference to the Union’s anti-slavery position. After the war broke out on the 12th April 1861, Leland enlisted in 1863 and joined an emergency regiment at the Battle of Gettysburg. After the war ended Leland traveled extensively throughout America developing his knowledge of folklore and the occult. On one occasion he tried his hand at prospecting for oil and on another while traveling through the old Wild West, he stayed for a short visit with General Custer at Fort Harker.

During his travels he lived and studied with the Algonquin Indians for months at a time recording their stories, myths and legends. He also studied the myths and legends of the Eskimos, the Finno-Ugric languages of the Finns and Lapps, and delved into the anthropology of a number of Mongoloid peoples. He found parallels in various Norse and North American Indian myths in as much as the Algonquin Indian stories could be related to Norse legends; he then developed a theory on their themes. He postulated that certain myths had spread from Greenland down to Canada and into Northeastern America. Leland’s studies led him to the conviction that the US did not have a meaningful legitimate folk ethos, and maintained that the American Indians understood nature and spirituality better than even Ralph Waldo Emerson or Walt Whitman.

In 1869 Leland’s father died, and with the inheritance from his estate together with the income he was generating from sales of his “Breitmann” poems, Leland abandoned journalism, being able finically to pursue his interest in folklore, mysticism and the occult. In 1870 he moved to England and began his study of the English Gypsies. Over the course of time he won the confidence of the then “King of the Gypsies” in England, Matty Cooper. From Cooper, Leland learned to speak Romany the language of the Gypsies, but it took many years before the Gypsy people accepted him as one of their own. They called him Romany Rye, meaning a non-Gypsy who associates with Gypsies.

While in England Leland was profoundly impressed by the growing appreciation of the newly formed Arts and Crafts movement inspired by the likes of the English reformer, poet and designer William Morris. So impressed, in 1879 Leland returned home to Philadelphia and established the Industrial Art School. Initially it was a school to teach Art and Crafts to disadvantaged children in Philadelphia, but became widely known later when it was visited and praised by Oscar Wilde.

In a lecture given in New York and reported in the Montreal Daily Witness on the 15th May 15 1882, Wilde is quoted: “I would have a workshop attached to every school...I have seen only one such school in the United States, and this was in Philadelphia, and was founded by my friend Leland. I stopped there yesterday, and have brought some of their work here to show you”. In a letter to Leland also in May 1882, now preserved at Yale University, Wilde wrote: “When I showed them the brass work and the pretty bowl of wood with the bright arabesques at New York they applauded to the echo, and I have received so many letters about it and congratulations that your school will be known and honoured everywhere, and you yourself recognised and honoured as one of the great pioneers and leaders of the art of the future”.

As a result of his efforts Leland unknowingly kick-started a popular resurgence of Arts and Crafts in America and was an important influence on the Arts and Crafts movement. Later the Home Arts and Industries Association was founded in imitation of his initiative. In 1883 Leland returned to England to continue his studies on the Gypsies. While traveling around Europe with his Gypsy friends, Leland also discovered a secret language used by traveling tinkers called Shelta. During this time he wrote two classic books on Gypsies and established himself as the leading authority on the subject. Later in 1888, Leland founded and became the first President of the Gypsy-Lore Society.

In the winter of 1888 Leland moved to Florence in Italy, where he lived for the rest of his life. It was here he began an in-depth study of “Stregheria” or Italian Witchcraft. His greatest source of information came from a mysterious lady called Maddalena, who worked as a Tarot reader telling fortunes in the back streets of Florence. Leland believed her to be a practicing hereditary witch and employed her as his research assistant. She in turn introduced him to another Tuscan witch called Marietta, who also helped to provide material for his research.

Leland was particular interested to learn about old medical treatments and magical rituals performed by witches across the rural areas of Tuscany. Many of the treatments he found to be similar to those used by the ancient Etruscan Civilizations of the early centuries BC. Passed down orally from generation to generation many of these age-old treatments were still being used at the beginning of the 20th century. They included common treatments for dreams, toothaches, eye problems, headaches, bladder stones, colic and most all types of bodily pains.

Overtime Maddelena passed on to him more than 200 pages of written folklore, incantations and stories. Later Leland wrote that her memory seemed inexhaustible, and that the incantations she had learned seemed endless. He also felt sure that the incantations were originally Etruscan. Although it took her ten years to do so, it was Maddalena who eventually provided Leland with the material he needed for his most famous book Aradia: Gospel of the Witches.

Leland was a prolific collector and spent most of his spare time collecting Witch lore and purchasing items of antiquity. One of his most prized possessions was the Black Stone of the Voodoos. It is believed that there are only five or six of these stones, or “conjuring stones” existing in the whole of America. The stones are small black pebbles thought to have originally arrived from Africa during the slave trade, and whoever succeeds in obtaining one would become a Master of Voodoo recognised as such by all other Voodoo practitioners in America. Leland somehow obtained one and this he exhibited at the Folk-Lore Congress in London during 1891.

Surviving the death of his beloved wife Isabel on the 09th July 1902, Leland himself died on the 20th of March 1903 in Florence. He had suffered with in ill health for the pervious seven years, and toward the end a bout of pneumonia and resulting heart problems caused his death. Leland was cremated in Florence and his ashes returned to America, where they were buried at Laurel Hill Cemetery, Philadelphia, PA.

Elizabeth Robins Pennell, Leland’s niece who inherited much of his notes, letters and unpublished materials, wrote a two-volume biography on him: Charles Godfrey Leland: a Biography (published in Boston by Houghton, Mifflin and Co in 1906). Her biography is filled with comments on his early passionate interests in witchcraft, magic and the occult, of his passion she writes:

“As might be expected of the man who was called “Master” by the Witches and Gypsies, and whose pockets were always full of charms and amulets, who owned the Black Stone of the Voodoo’s, who could not see a bit of red string at his feet and not pick it up, or find a pebble with an hole in it and not add it to his store – who in a word, not only studied witchcraft with the impersonal curiosity of the scholar, but practiced with the zest of the initiated”.

Sadly Leland departed without completing his work on Italian Witchcraft, however his legacy lives on through his books. Until his time, no other books existed claiming to contain material obtained directly from a practicing witch. His book Aradia: Gospel of the Witches became one of the most influential works to affect and influence modern Witchcraft and Wicca. It is also one of the few books on Witchcraft to remain in print for over one hundred years.


Starlitenergies













Book sources:
Encyclopedia of Wicca & Witchcraft - By Raven Gramassi
An ABC of Witchcraft Past and Present - By Doreen Valiente
A History of Witchcraft (Sorcerers, Heretics and Pagans) - By Jeffrey B. Russell
The Triumph of the Moon - By Ronald Hutton
Drawing Down the Moon - By Margot Adler
The Encyclopedia of Witches & Witchcraft - Rosemary Ellen Guiley

Website sources:

Monday 4 April 2016

Chickweed by Unity

Chickweed -by Unity
(Stellaria media)

Other names : Bird's eye, Chickenwort, Chicken's meat, Cluckenweed, Mischievous Jack, Murren, Satinflower, Scarewort, Skirt buttons, Tongue grass, White bird's eye, Starweed, Winter weed, Adder's mouth, Chick Whittles.

Planetry ruler : Moon
Element : Water
Gender : Female
Powers : Fidelity, love, fertility, dreams, protection, moon magic, bird and animal magic.
Associated deities : Brigantia
Actions : Anti-rheumatic, vulnerary, emollient

Chickweed is an annual Spring plant that is native to Europe and Asia but is found throughout the world. It grows in fields, gardens, waste ground, and along streams, roads and hedgerows. It's a floppy sprawling plant with soft green leaves and tiny star-like white flowers.

Chickweed is high in vitimins A and C, saponins and minerals including iron, copper, magnesium and calcium, and can be eaten fresh in mixed leaf salad's or added to soups, stews, juices and smoothies. It has been used for centuries to feed caged birds and many domestic animals and was an old wives remedy for obesity.

Healing uses:

Chickweed makes an excellent external ointment to soothe itches, eczema, bites, stings, rashes, inflammations, minor burns, swelling, sunburn and bruises. It will heal skin problems where heat is involved with it's cooling and soothing properties. It also works well internally to soothe the respiratory and digestive systems including, dry coughs, bronchitis, sore throats, Irritable bowel syndrome and gastritis.

A strong infusion of chickweed can be added to a bath to soothe widespread itchiness and any sore dry skin conditions. The fresh leaves can be wrapped in muslin and used as a poultice for smaller areas. An old wives tale suggests chickweed infusion can be used as a slimming aid, and some modern herbalist still use it as such, although I've never tried it myself. Chickweed contains saponins which can cause stomach upsets in large quantities, so it is best eaten in moderation. Saponins work at a cellular level to increase absorbtion of nutrients and to remove any wastes and blockages. People with allergies to the daisy family may also react to chickweed. 
NOT TO BE TAKEN INTERNALLY BY PREGNANT AND NURSING WOMEN OR CHILDREN.

Magical uses:

Chickweed can be added to pouches and poppets to attract love or added to your partners food to encourage fideltiy, although it's not a good idea to do this behind your partners back. A sprig or pouch under the bed will work just as well.

It can also be added to poppets for fertility magic, probably due to the huge amounts of seeds it produces.

Bring peace and protection to your home by pouring the cooled infusion into a spray bottle and spritzing around your home, or use it as a floor wash.

Burn it as an incense to attract love into your life and for moon magic.

Pouches or sprigs of chickweed can also be carried or hung up by your front door for protection.

Keep a sprig under your pillow to enhance your dreams and aid sleep.

Chickweed can also be used for any bird and animal work.

Chickweed bath for itchy skin:

Put a couple of handfuls of fresh chickweed in a sock or tie in square ofmuslin with a piece of string which can then be hung under your bath's hot tap so that the water runs through it. You can also add oats for extra soothing and healing properties if you want.
Run your bath and gently sqeeze the sock or bag in the water to release more of it's contents. Alternatively make a strong infusion of chickweed and add this to your bath.

Chickweed soup

1 medium onion, finely diced
2 small potatoes, finely diced
1 litre of vegetable or chicken stock
2 good handfuls of fresh chickweed
water
Tbsp of butter and a splash of olive oil.

Remove the big stalks from the chickweed and rinse well. Melt the butter in olive oil in a large saucepan. Saute the onion until soft. Add potatoes and stir for a couple of minutes. Add a little water, just enough to cover the potatoes, bring to boil and simmer untilt hey are soft. Add the stock, bring to boil again, add the chickweed and simmer for about 10 minutes. Blend well with a hand blender. Season with salt and pepper. Enjoy !

Full moon incense

2 parts chickweed
2 parts lemon balm
1 part marjoram
1 part white sandalwood
1 part frankincense


Unity


Sunday 3 April 2016

A Desk Oracle you say?

We would like to introduce you to our new pretty thingy...


Our Arc of the Goddess course and book works with 108 different goddesses so we thought "why not have an oracle too?"...sounds easy enough right?  Well it has been quite a long journey of discovery, graphics, design and getting it just how we want it.

108 goddesses is a whole heap loada feminine energy so...instead of making you work with 108 individual cards we have put them all together into a spiral bound book, A5 size...that gives you 258 pages jam packed full of goddess goodness.  You can use it to flip through and select goddesses as you would for a reading...or as we have found most of the time they select you...you can work with particular goddesses for the day, a week, the month or longer using the Goddess Wheel of the Year included,  leaving the booklet open at her page on your desk or altar.

Each goddess has two pages to herself, one with a beautiful image and the other with our own meaning for her...the book also includes our original Goddess Wheel and some ideas on how to work with the ladies themselves.

The desk oracle can be used as a stand alone divination tool or in alongside our Arc of the Goddess course and/or paperback book.

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+ p&p…worldwide delivery

Special package deal offers are available, see the Arc of the Goddess website for more details.

http://kitchenwitchhearth.wix.com/arcofthegoddess


Friday 1 April 2016

April from a Witch’s point of view…

April from a Witch’s point of view…by Tansy Firedragon (Rachel Patterson)

Drip drop drip little April showers…April can be a bit hit and miss with the weather but it is (usually and hopefully) most definitely spring.  Plants are starting to really come alive, the seeds planted at Ostara are making good headway and the weather is (she says again hopefully) a bit warmer.

We are working off the back of the spring equinox and heading towards Beltane, everything is alive and buzzing with energy.

Magical workings for this month are; creativity, producing, return to balance, change, self confidence, self reliance, opportunities, emotions and selfishness.  I think the equinox always brings about changes of one kind or another (in my experience anyway), it is a time to clear out the old and that which has not worked and to bring in new projects, new ventures and new ways of thinking, make changes that bring in the positive.  It is so easy to get caught in a cycle of destructive or unhealthy actions, now is the time to break free (yep I am singing now…).   Sometimes we end up taking on too much and finding our entire life is out of balance and it has a ripple effect, like dropping a pebble into a still pool, the ripples from one tiny stone can have a huge affect on everything else.  The equinox gives us an opportunity to re-balance and use all the energy that Beltane brings with it to put those changes into action. 

Take a step back…take a really good look at your life and see where you can make changes to bring it back into alignment, to give a good balance between work, friends, family, play and ‘you’ time.  Even little changes are a start and can lead onto bigger ones.

To help you find the unbalance or the underlying problem issues I like to light a white and a black candle (go with whatever colours work for you but you need a darker and a lighter candle, pale blue and dark blue or pale pink and burgundy for instance).  I put them in holders and place a tarot card between the two candles something like Temperance or the Two of Pentacles, a card that says ‘balance’ to you.   Light both candles with the intent of seeking out the areas of your life that need adjusting, watch the flames and look deep into the cards…open yourself up to totally honesty and the answers will come to you.

If you want to work with deities that are associated with the month of April some suggestions would be Venus, Aphrodite, Eostre, Aprilis, Flora, Pales, Terra Mata, Ceres, Jupiter, Furrina, Cybele, Kali, Hathor, Fortuna, Ishtar and Bast.  Make a small altar to a specific deity, add an image to your existing altar or meditate to specifically connect with one of them, they will all have guidance and advice for you, all you have to do is ask.

Totem animal energies that are particularly associated with this month are falcon, beaver, elk, snake, ram, bull, bear and wolf.  Each of these totems have their own particular energies and characteristics that you can drawn on and help you understand, gain insight and strength from.  Invite them into your meditation and see where they lead you.

Veggies that are in season during April: Aparagus, broccoli, purple sprouting, cabbage, carrots, cauliflower, chicory, chard, endive, spring & winter greens, kale, leeks, lettuce, onions, potatoes, radish, rocket, sea kale, sorrel, spinach and watercress.  One of my personal favourite fruits is also in season now and that is rhubarb.

If you fancy a bit of foraging (please make sure you have identified the plants correctly before eating!) Alexanders, broom buds, chickweed, dandelion (the leaves make a delicious salad), fat hen, hop shoots, nettles, sea kale, sea spinach, sorrel, watercress, wild rocket, cow parsley, meadowsweet, wild fennel, wild garlic, primroses (please pick these sparingly as they are becoming quite endangered in the wild) and wild mushrooms.

If you like working with the energy of crystals then a few suggestions to work with that correspond to the month of April are quartz, amber, aquamarine, azurite, carnelian, emerald, kunzite, kyanite, lapis lazuli, rhodonite, rose quartz, seleninte, tiger’s eye and variscite.   You could use the positive energies of April to make a crystal grid.  Start with a crystal in the centre and add your intent, if it is for business success you could put a business card under the centre crystal then add crystals going around in a spiral or a mandala pattern fanning out from the centre.  I like to add herbs and oracle or tarot cards to my crystal grids too.  Once your intuition has told you what crystals to use and where to put them visualise all the crystals, herbs and cards linking up with a ‘web’ of white light to bring your intent to reality.

Making a loose incense or an essential oil blend to help you connect with the flavour of April might include some of these; daisy, sweet pea, pine, bay, bergamot, patchouli, basil, dragon’s blood, geranium, sandalwood, cinnamon or thistle.  But be guided by your own intuition and what ingredients you have access to.

Try creating an incense with the intention of bringing about balance to your life, I would work with sandalwood, cinnamon and patchouli – it makes a lovely earthy scent.

Spring has sprung and the powerful energy of Beltane is on its way…


Tansy












Originally published in the Mystik Way magazine.